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                  <text>Documentary Films on Namibia</text>
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                  <text>This collection holds full length Documentary Films on Namibia.</text>
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                <text>Kwanyama Mining and Smelting: Angola 1937</text>
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                <text>The Following is extracted from a webpage at the University of Kent at Canterbury. It provides background on the film clip. "The smelting movie was chosen for this project for a number of reasons. Essentially it is a good example of an ethnographic movie in that it highlights and examines an ongoing process that contains many examples of ritual and these are captured in the film. The position of the smith is a respected one, he is a ritual specialist, able to 'cure' iron-ore and produce the highly prized metal. The technological process of smelting in this particular instance seems to be a variety that is not commonly described. All the other descriptions of furnaces that I have come across mention a chimney for example, and several tuyeres. However ritual is a significant part of the process. That the actual technical process is a skilled and complicated procedure there is no doubt, the ritual may act to disguise the technical process, thus ensuring the privileges Smelting in Africa has a varied and widespread history. Today traditional smelting has all but died out, and the industry was initially affected by the importation of cheap European iron at the turn of the century. That the iron smelting in the film was occurring as late as 1937 is in itself by all accounts unusual. The film is also of interest as it is a piece of work that has been carried out by two of Major Powell-Cotton's daughters, Diana and Antoinette. This fact allows for another perspective on the museum collection. Also women ethnographic film makers in the 1930's were a rare breed. The movie contains several good examples of ritual behaviour. Also I have had access to the field-notes of the people who made the film. What I have tried to achieve by the combination of video and text is not only an insight and explanation of the Ovambo and their smelting tradition, but also some insight into the thinking and construction of the film makers themselves. Neither women were anthropologists and I am sure that this is apparent from looking at the notes in terms of how much more information there could be, as well as some of the descriptive comments. The typed field notes have been reproduced as they were found in the museum archives, including spelling and grammatical errors, in order to give the user a sense of comparison with the film. Things discussed in the field notes are not necessarily recorded in the film."</text>
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                <text>Diana Powell-Cotton &amp; A. Powell-Cotton</text>
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                <text>University of Kent at Canterbury</text>
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                <text>1937</text>
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                <text>Silent</text>
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                <text>http://www.era.anthropology.ac.uk/Era_Resources/Era/P-C_Museum/smelt_index.html</text>
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        <name>Kwanyama</name>
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        <name>Ovamboland</name>
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        <name>Smelting</name>
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                  <text>Documentary Films on Namibia</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Rights vary depending on the resource. Please consult each individual entry for specific information</text>
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                <text>I Have Seen (nda mona)</text>
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                <text>"Out of the experience of a bitter war with South Africa, the film's voices tell of war crimes committed by Namibia's liberation movement. Since being elected to government, the former liberation movement has urged that the past should be forgotten and forgiven. This kind of reconciliation poses serious questions for the victims."</text>
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                <text>Richard Pakleppa (dir./prod.)</text>
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                <text>Southern African Communications for Development (SACOD)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>© Richard Pakleppa, 1999</text>
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        <name>Camps</name>
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        <name>Human Rights</name>
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        <name>Reconciliation</name>
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        <name>Richard Pakleppa</name>
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        <name>SWAPO</name>
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              <description>Information about rights held in and over the resource</description>
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                <text>Namibia: No Easy Road to Freedom</text>
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                <text>This documentary explores the struggles of the Namibian people to win their independence from South Africa, which illegally occupied their country since the 1971 revocation of the UN mandate, and documents the human rights violations committed by the South African armed forces. Director/Producer/Writer: Kevin Harris Lighting/Camera: Dewald Aukema Asst. Camera: Gulio Biccari Editor: Catherine Meyburgh Stills: John Liebenberg Kevin Harris (prod.)</text>
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                <text>Evangelical Lutheran Church in America</text>
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                <text>© Kevin Harris 1988</text>
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        <name>Liberation War</name>
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        <name>United Nations</name>
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                <text>This film describes the status of disabled persons in post-independence Namibia. Also illustrated is government and charity aid for specific projects and programs. Narration: Hafeni Mundilo Drummer: Chris West Camera: George Shikongo Sound/Translation: Ben Tsuob Assistant Director: Angula Amulungu Script: Tom Minney Editor/Directory: Steve Felton Funding: Derrick Allison Production: New Dawn Video</text>
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                <text>Steve Felton (Dir.) &amp; Oxfam UK</text>
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                <text>© New Dawn Video 1991</text>
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                <text>https://www.youtube.com/watch?v=V3ycqHH1z0Y</text>
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                <text>"After 105 years of foreign rule, Namibia, Africa's last colony, gained its independence, and this program covers Sam Nujoma's address at Lincoln University outlining his country's future. The impeccable rendition of the Namibian National Anthem, and the English translation at the end, add an emotional and nostalgic flavor to the program. And the background information on Namibia provides viewers with a broader understanding of the issues at hand."</text>
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                <text>Namibia: Free at Last!</text>
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                <text>This short film chronicles the struggles for independence, focusing particularly on the role of the Lutheran churches in Namibia, and in the international community. Missionary work, teachers, and aid workers are profiled.</text>
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                <text>Evangelical Lutheran Church in America</text>
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                <text>Division for Global Mission, ELCA</text>
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                <text>Presumably © Evangelical Lutheran Church in America, 1991</text>
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                <text>https://www.youtube.com/watch?v=O3pi4xQsE90</text>
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                <text>Namibia: Tell the World</text>
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                <text>Lutheran Council in the USA.</text>
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                <text>Lutheran Council in the USA &amp; Newsreel Collective Ltd.</text>
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                <text>© Lutheran Council in the USA, 1985</text>
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        <name>Bience Gawanas</name>
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        <name>Colin Thomas</name>
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        <name>Gillian Slovo</name>
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        <name>Lutheran Council</name>
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        <name>Namibia</name>
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        <name>SWAPO</name>
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