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                  <text>Nordic Africa Institute</text>
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                  <text>Founded in 1962, the Nordic Africa Institute (Nordiska Afrikainstitutet) is a center for research, documentation and information on modern Africa in the Nordic region. Based in Uppsala, Sweden, the Institute is dedicated to providing timely, critical and alternative research and analysis of Africa in the Nordic countries and to strengthen the co-operation between African and Nordic researchers.</text>
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                  <text>http://www.nai.uu.se/</text>
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                  <text>© Nordiska Afrikainstitutet, The items in this collection are taken from open access publication on the NAI website. All rights are theirs.</text>
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                <text>Monumental politics in Namibia</text>
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                <text>The re-siting of the Rider Monument in central Windhoek from the site of one of the concentration camps from the first genocide of the 20th century to a new location in front of the museum at the Alte Feste has raised many questions. So too, has the construction of the Independence Memorial Museum on the very site formally occupied by the Rider Monument. Andrew Byerley looks into Namibia’s symbolic and heritage space.</text>
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                <text>Nordic Africa Institute</text>
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                <text>© Urban Dynamics 2011</text>
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                <text>2010</text>
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                <text>In: Annual Report : 2010: The rise of africa: miracle or mirage?, ISSN 1104-5256, Vol. 2010, 36-37</text>
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                  <text>Basler Afrika Bibliographien (BAB) is a centre of documentation and expertise on Namibia and southern Africa, located in Basel, Switzerland. The institution comprises an archive, a specialist library and a publishing house, in addition to offering scholarly, cultural and socio-political events.&#13;
&#13;
Its books and documents on Namibia are of international renown, and are known among experts as the most comprehensive documentation outside of Namibia. Among its holdings is a collection of rare books with volumes on Africa going back to the 16th century, a large collection of African posters and extensive historical archives of images, sound recordings, manuscripts and ephemera. Its collections are complemented by scholarly publication activities.</text>
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                  <text>© Basler Afrika Bibliographien</text>
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                <text>Ein unsichtbares Denkmal Für eine Anerkennung des Monumentcharakters eines Otjiherero Praise Poems (Omutando) für die Old Location in Windhoek</text>
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                <text>Ich möchte einführend einige Gedanken zur An-ikonizität (also nicht-Bildlichkeit) formulieren. In seiner Betrachtung sogenannter an-ikonischer Gesellschaften, also Gesellschaften die keine Bilder von Menschen, Tieren oder Gottheiten produzierten, weist Fritz Kramer darauf hin, dass der Umstand des Nicht-Vorhandenseins von Bildern oder Skulpturen nicht auf technisches Unvermögen hinweist (2001: 17). Im Bezug auf die Herero Gesellschaft in Namibia kann nicht von kompletter Nicht-Bildlichkeit gesprochen werden. Tatsächlich geschah die Aneignung der Photographie bereits im 19. Jhd; es wurden Portraits der gesellschaftlichen Elite hergestellt (siehe Silvester 1998 und Wallace 1998). Wir haben es auch nicht mit einer Gesellschaft zu tun, die sich einem Bilderverbot gebeugt hätte. Tatsächlich erscheint die Abwesenheit von Bildern – also beispielsweise traditioneller Skulptur oder Malerei - nur aus westlicher Sicht als Mangel. Dabei wird eine an materiellen Objekten orientierte Erinnerungskultur als Norm konstituiert, von der aus nicht an materielle Objekte gekoppeltes Erinnern als lückenhaft begriffen wird. Nichtsichtbare, immaterielle, kulturelle Produktionen, wie omitandu, also oral überlieferte Texte, die als ausserpersönliche Referenzpunkte und Plattformen des kollektiven Erinnerns operieren, werden dementsprechend oftmals übersehen, oder besser, aufgrund ihrer nicht-Sichtbarkeit, wie in diesem Falle, nicht wahrgenommen. Eine die Vergangenheit interpretierende, charakterisierende, diskursive und eben auch konservierende (erinnernde) Aneignung der Welt ist aber keineswegs notwendigerweise visuell. Anstelle des Abbildens oder Aneignens durch Bilder steht hier die kulturelle Aneignung der Welt durch Rede, performance und Dichtkunst, die bis heute nicht vollständig durch Bildmedien oder geschriebene Texte ersetzt wurde. BAB Working Paper 2006:05 Presented at the Basler Afrika Bibliographien 13 June 2006.</text>
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                <text>Anette Hoffmann</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© The author © Basler Afrika Bibliographien</text>
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                <text>http://baslerafrika.ch/wp-content/uploads/WP_2006_5_Hoffmann.pdf</text>
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        <name>Switzerland</name>
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                  <text>This collection contains full-text PDFs of various out of print books re: Namibian Studies. Most of these were published by small-name presses (such as the Finnish Anthropological Association), and for that reason they are hard to find.&#13;
&#13;
Some of the out of print books can be found in other collections in this repository (such as the Basler Afrika Bibliographien); this collection is merely for those without their own. Efforts were made to receive copyright permission before uploading. For any questions or concerns, contact the webmaster.</text>
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                <text>Swakopmund: A Chronicle of the Town's People, Places and Progress</text>
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                <text>English version of "Swakopmund: Eine Kronik" of 1982. Translated by Swakopmund Rotary Club</text>
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                <text>Ursula Massmann</text>
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                <text>© Swakopmund Scientific Society</text>
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                <text>1983</text>
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        <name>Martin Luther</name>
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        <name>Railways</name>
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